Hamlet First Body

Blocking, body language, and the lack of an ensemble provides Act I, scene 2 of Gibson's 1990 version of Hamlet an obvious, pure mother-son relationship, not overwhelmingly influenced by a devious uncle. Although the scene begins with Claudius drinking and strolling in his castle, Gertrude remains completely fixated on Hamlet. Before Claudius parts to hunt, he attempts to persuade Hamlet that there is no need to dwell on his father's death. Although Claudius' sudden touch on Hamlet's chest connotes compassion, it is still interpreted as a casual gesture. However, Gertrude distances herself from Claudius before he leaves for his quest, thus adorning Hamlet with her full attention and tender regard. Once Claudius exits, Gertrude approaches Hamlet and gently pleads for him not to leave for Wittenberg. Although Hamlet does move away from his mother throughout the scene, she immediately follows and embraces him. In addition to her calm yearning, she rests her head beside Hamlet's shoulder to magnify her affinity for him. Her son simply turns his face to truly acknowledge his mother's words. He reciprocates her love and devotion by submitting himself; he collapses onto his knees and cradles her legs. Moreover, the violin, as the background music, strengthens the sensitive and tranquil setting. This finally concludes the scene with Gertrude twirling with joy and exuberance about Hamlet's decision to stay. Gibson's direction reveals Gertrude's innocence and the genuine connection she shares with her son.